Craft above all
If it cannot be made well, it does not get made. The cut and the finish come before everything else.
Atelier Mode opened in 2009 in a two-room studio on the Rue des Archives, with a single pattern table, a half-finished toile, and a conviction that Paris still had room for a house that valued craft over noise.
What began as a made-to-measure practice for a handful of private clients grew, season by season, into a full design house. Today we show two ready-to-wear and two couture collections a year, dress clients across four continents, and keep every stage of design and construction under one roof.
We have stayed deliberately small. The house takes on only the work it can finish by hand, because the alternative — growth at the expense of the cut — has never interested us.
Trained on the Chambre Syndicale benches and seasoned through a decade in the ateliers of two grand Paris houses, Camille founded Atelier Mode to design clothes the way she had been taught to build them — from the inside out.
Her work is defined by restraint: a refusal to add a seam, a button, or a flourish that the silhouette does not require. “A garment should be quiet,” she says, “so the woman wearing it can be heard.”
She remains hands-on with every collection, draping the first toile of each look herself before it passes to the atelier.
Five principles that govern every decision, from the first sketch to the final pressing.
If it cannot be made well, it does not get made. The cut and the finish come before everything else.
We earn a detail before we add it. Nothing on a garment is there by accident.
Certified mills, natural fibres, and deadstock — we choose materials we can stand behind.
Our pieces are built to be worn, repaired, and handed on — the opposite of the seasonal churn.
Every fitting begins and ends with how the garment lives on a real person in motion.
We protect the scale that lets us know every artisan and every client by name.
A small, senior team — most have been with the house for over a decade.
Founder. Drapes the first toile of every look by hand.
Master tailor, 30 years on the bench. Guards the cut.
Leads soft dressmaking, draping, and hand-finishing.
Runs the studio, the fittings calendar, and the cloth.
We welcome clients, press, and fellow makers to the Paris atelier by appointment. Come see how a collection is made.