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We unpack the goal, audience and references, and lock the scope, dates and budget.
Logo reveals, motion guidelines and launch films that give your identity rhythm and momentum. I translate a static brand into a moving one, with rules your whole team can follow.
Story-led product and concept films that make something complex feel obvious. Script support, design, animation and sound — all under one roof and one timeline.
Cinematic opening titles, credits and event packaging with typographic energy. Built for film, series, conferences and launches that deserve a strong first frame.
Micro-interactions, transitions and prototypes that make digital products feel premium. Delivered as production-ready Lottie or Rive files your engineers can drop straight in.
An ongoing partnership for teams that ship video constantly. A documented motion system plus a monthly block of animation so your content stays on-brand and on-tempo.
Four clear stages, the same every time, so you always know what's happening and what's next.
We unpack the goal, audience and references, and lock the scope, dates and budget.
Script, style frames and a storyboard get the look and timing approved before animation starts.
Design comes alive — animation, 3D and sound — with a checkpoint review at each milestone.
Final renders in every format you need, plus source files and a tidy handoff.
A focused explainer or brand animation usually runs three to five weeks from kickoff to final render. Larger films or motion systems take six to eight. I'll give you a dated schedule before we start so it never feels like a black box.
Yes. I can take a project from a one-line brief through script, style frames and storyboard, or plug into your existing brand and assets. Whatever stage you're at, I'll meet you there.
Final delivery includes the master plus any aspect ratios and cutdowns you need for web, social and broadcast. On request I provide source project files, and for UI work I export production-ready Lottie or Rive files for your engineers.
Every project includes two rounds of revisions at the storyboard stage and two at the animation stage. Because we approve the look and timing early, surprises at the end are rare. Extra rounds are billed at my hourly rate.
Yes — sound design is part of the craft. I can license a track, direct a composer, or design original sound effects so the cut lands with impact. If you have an in-house audio team, I'll deliver clean stems to match.
Absolutely. Retainers suit teams that publish video regularly — you get a documented motion system plus a monthly block of animation with priority turnaround. It's the most cost-effective way to keep a brand consistently moving.
Send a few lines about your goal and timeline. I'll reply with a tailored plan and a clear quote within two business days.