The Spot
One commercial or social cut, delivered fast.
- Up to 90 seconds
- Edit + basic grade
- Licensed music edit
- Two revision rounds
From assembly to locked cut. Story structure, pacing, and rhythm for commercials, music videos, documentaries, and narrative films — built to hold attention.
Cinematic looks and shot-to-shot consistency in DaVinci Resolve. From clean balance to bold stylised grades that give your film a signature mood.
Clean dialogue, layered ambience, music spotting, and a balanced final mix so the audio carries the emotion as hard as the picture does.
Titles, lower thirds, animated graphics, and tasteful compositing in After Effects that elevate the edit without ever upstaging the story.
The whole pipeline under one roof — edit, grade, sound, graphics, and finishing — managed end to end so you get one master, ready to deliver.
One hero cut, every aspect ratio. Vertical, square, and short-form versions optimised for each platform, with captions and platform-safe specs.
No mystery, no endless rounds. Four clear stages from footage drop to final master.
We talk through the story, references, deadline, and deliverables, then I review your footage.
I build the story spine — selects, structure, and a rough cut so we agree on direction early.
Fine cut, grade, sound, and graphics in tight feedback loops with two rounds of revisions built in.
Locked master plus every version and spec you need, exported clean and handed over tidy.
One commercial or social cut, delivered fast.
Full post for music videos and short films.
Ongoing post as part of your team.
Every project is scoped to fit — these are starting points, not fixed menus.
Whatever's easiest for you — a shared drive, Frame.io, Dropbox, or a physical drive in the post. I'll send clear specs up front so the media arrives organised and ready to cut, which saves us both time.
A short-form spot is usually three to five business days. A music video or short film runs one to three weeks depending on length and scope. Rush timelines are possible — tell me your deadline and I'll be honest about what's realistic.
Each package includes two to three revision rounds, which covers the vast majority of projects. If a brief changes direction substantially, we'll scope the extra work transparently before I start — no surprise invoices.
I edit to and mix licensed tracks, and I can source the right music from libraries I trust. You hold the licence, but I'll help you choose a track that fits the cut and clears for your intended use.
Absolutely. Plenty of clients send me a locked edit for grade, sound, or finishing only. Send your project file or an XML and the source media, and I'll take it the rest of the way.
Tell me what you're making and when you need it. I'll come back within two business days with an honest plan.