Story over spectacle
Flashy means nothing if it doesn't serve the story. We chase emotion, not just expensive shots.
Our story
Started with one camera and a stubborn standard
Reel House began in 2014 in a converted Los Angeles warehouse, founded by a director and an editor who were tired of films that looked expensive but said nothing. They set a single rule: every frame has to earn its place.
That standard turned a two-person operation into a full studio of 18 — directors, DPs, motion designers, colorists, and producers who shoot, cut, and finish everything in-house. We've made spots for global brands, films for fast-growing challengers, and videos for artists chasing their next chapter.
What hasn't changed is the why: we make video to make people feel something. The view counts and the awards are nice. The story landing is the point.
What we stand for
The values behind every frame
These principles guide how we treat the work, the crew, and the people who hire us.
Craft obsession
We sweat the lighting, the cut, the sound, the grade — the details audiences feel but never name.
Calm collaboration
A relaxed set makes braver work. We keep productions organized so creativity has room to breathe.
On time, on budget
Big ideas mean nothing if they miss the air date. We plan rigorously and deliver when we say we will.
Made to travel
We build films that work everywhere — broadcast, social, cinema, and every aspect ratio in between.
Responsible sets
We run lean, low-waste productions and treat every crew member, location, and client with respect.
A decade in frames
2014Studio founded
18In-house crew
480+Films delivered
40M+Total views
The crew
Meet the people behind the lens
A small, senior team that stays hands-on from the first pitch to the final export.
Mara Solis
Founder & Director
Award-winning director with a decade of commercial and brand-film credits.
Theo Okafor
Director of Photography
Cinematographer obsessed with light, lenses, and the perfect dolly move.
Lena Novak
Head of Motion
Leads our motion-graphics team across animation, titles, and VFX finishing.
Julian Reyes
Lead Editor & Colorist
Shapes the cut and grades every project to a cinematic, broadcast-ready finish.
How we work
Senior hands on every project
You don't get handed off to a junior team after the pitch. The director and editor who sell you the vision are the same people who deliver it.
One creative lead, start to finish
A single director owns your project's vision from kickoff through final delivery.
Everything in-house
Shoot, edit, motion, color, and sound all live under one roof — faster turns, tighter craft.
You're in the room
We share cuts early and often, so the final film is one you've shaped, not just received.
Let's make something worth watching
Bring us the brief, the track, or the half-formed idea. We'll help you turn it into a film people can't look away from.