Restraint reads as luxury
The strongest look is the one with nothing left to remove. I edit down before I add.
I grew up in a tailoring family outside Milan, where I learned to read a garment from the inside — the seam allowances, the drape of a weight of wool, the way a shoulder should sit. That instinct never left. It just moved from the workroom onto sets and runways.
I began assisting editors in my early twenties, then spent a decade styling for European titles before founding Drape in 2017. Today I work with a small slate of clients each season — editorials, campaigns, runway, and a handful of private clients — so every look gets the attention it deserves.
When I'm not on set you'll find me hunting vintage in Porta Portese, archiving fabric swatches, and quietly judging badly hung hems.
A selection of the magazines, houses, and brands I've been lucky to dress for.
Drape · Milan & London
Styling and creative direction across editorial, campaign, runway and celebrity work. 240+ shoots and a dozen global campaigns delivered.
Numéro Europe
Led monthly fashion features and covers, built the title's wardrobe relationships, and mentored a team of three assistants.
Studio Bianchi
Styled campaigns and lookbooks for emerging European houses, working closely with photographers and casting directors.
Freelance · Milan
Assisted leading editors on shoots and shows, learning the craft from prep board to final fitting — and how a calm set is built.
The strongest look is the one with nothing left to remove. I edit down before I add.
Trends date. A point of view doesn't. Every wardrobe should say something true.
A modest piece, tailored well, beats an expensive one worn wrong. The hem decides it.
People perform best when they feel themselves. I dress for confidence, not costume.
The magic happens because the racks were sorted, steamed, and labelled the night before.
I mix vintage and archive with new — fashion that lasts beyond a single season.
If you're planning a shoot, a campaign, or a moment that matters, I'd love to hear about it.