The Shoot
One styled shoot, fully prepped and directed.
- Concept & pull list
- Sourcing & fittings
- On-set styling
- One assistant
Concept-led styling for magazines, lookbooks, and creative features. From mood board and pulls to fittings and on-set direction — every page built with a point of view.
Wardrobe direction for advertising campaigns, brand films, and seasonal launches — keeping the look on-brand, on-message, and unmistakably yours across every frame.
Line-up, look sequencing, and final fittings for runway and presentations. I shape the silhouette of a collection so each exit lands and the show reads as one story.
Private styling for press tours, red carpets, and the moments that matter. Wardrobe edits, archive and designer requests, and fittings tailored to who you are becoming.
Efficient, high-volume styling for online retail — clean, consistent looks that move product while still feeling considered. Built for speed without losing the eye.
The bigger picture — casting input, location and set notes, collaborator recommendations, and the visual through-line that ties a shoot or season together.
No chaos on set, no surprises after. Four clear stages from brief to final frame.
We talk goals, references, talent, and budget so I understand the story before I touch a rail.
Mood, palette, and silhouette. I share a direction and a pull list so we're aligned early.
Sourcing, fittings, steaming, labelling. The unglamorous work that makes the day run.
On the day I direct the looks, manage continuity, and keep the energy calm and on-time.
One styled shoot, fully prepped and directed.
A full campaign or multi-look editorial, end to end.
Ongoing personal styling for a public-facing life.
Every booking is scoped to fit — these are starting points, not fixed menus. Travel and kit billed separately.
It begins with a short call or email. Tell me about the project, the dates, and the budget; I'll let you know honestly whether I'm the right fit and how I'd approach it, then send a clear proposal within a couple of days.
My day rate covers concept, fittings, on-set styling, and direction. Sourcing time, prep days, an assistant, travel, and any kit or rental fees are quoted separately so you always know what you're paying for.
Yes. I pull from showrooms, designers, archive, and vintage, manage the loan paperwork, and handle all returns after the shoot. My showroom relationships are a core part of what you're booking.
Happily. I'm based between Milan and London and travel worldwide for the right project. Travel and accommodation are billed at cost, and I'll always find the most sensible way to make it work.
Sometimes — it depends on the calendar. A single look, a press fitting, or a quick edit can often be slotted in. Reach out with the date and I'll tell you straight away whether I can make it happen.
Tell me about the shoot, the dates, and the look you're after. I'll come back within two business days.